Lady Laura Jamison to Richard, Earl of Winchester: “For the sake of propriety, I was ensuring your garments were intact. You’ve a reputation for disappearing into dark corners and re-emerging with your clothing askew. As though hasty hands ripped your garments from your body.” https://books2read.com/suziloveSS
Lady Laura Jamison uses her extraordinary olfactory senses to sniff out her perfect match, a husband who fits all her scientific criteria. But after she evades an assassin’s bullets, twice, while attending her sister’s wedding, she is forced to accept the protection of their family friend, and her nemesis, the Earl of Winchester. Richard evades marriage with someone as beautiful and intelligent as Laura, fearing she’ll uncover his shameful childhood secret.
The mismatched pair risks their wealth and reputations racing around London’s seedier areas in a desperate attempt to stop a madwoman before she recruits more criminals and rebuilds her illegal share trading syndicate. When they accept each other’s strengths and weakness, will Laura and Richard also discover a passion neither counted on?
Looking For A Fun Historical Romance? Lady Laura Jamison to the earl: “For the sake of propriety, I was ensuring your garments were intact.” #HistoricalMystery #VictorianRomance #RomCom https://books2read.com/suziloveSS
1700-1800 ca. Women’s Pockets With Waist Ties as worn in Jane Austen’s years. #Georgianera #Regencyera #JaneAusten #Underclothing
From 1700 until the early 1800s, pockets with waist ties were worn by women to keep essential items on their person. Generally of linen or some other cotton fabric, they were often quilted, or embroidered and gifted or handed down to others. In the 18th century, women’s pockets were not sewn into their gowns. Instead they were attached to a tape and tied around the waist as separate garments. Worn under the hoops and petticoats, they were accessed through openings in the gown and petticoat seams. By the early 1800s, round gowns were both flowing and almost transparent so pockets could no longer be worn under dresses, so ridicules, or bags, or reticules were carried instead. Jane Austen and her female friends and family would have worn pockets under their out layers.
From the Curator Victoria and Albert Museum, London: Quilting was a popular form of decoration for a variety of garments including pockets. However, hand-quilting was a time-consuming method of decoration. The increased demand for quilted petticoats, waistcoats and pockets led to the invention of woven quilting.
1700-1725 ca. Pair of Linen Twill Women’s Pockets With Crewel Embroidery and Waist Ties, British. Embroidered in yellow, green and pink worsted thread with chain and stem stitches, design of flower pot with flowering plant, bound with green worsted tape and sewn to linen tape tie. Designs are similar but not identical, suggesting both hand-drawn and possibly work of an amateur. Pockets may have been handed down to another person who found them too small as each pocket has been extended at top by 4 cms. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.
1750-1800 ca. Woman’s Pocket With Waist Ties, New England, America. Linen plain weave, cotton plain weave, wool embroidery. Dimensions 39.5 cm x 27.5 cm. Polychrome crewels on cotton and linen, vine with buds, flowers and leaves and initials M.W. in center. In 18th century, women’s pockets were tied around waist with tape as separate garments, worn under hoops and petticoats, accessed through openings in gown and petticoat seams. via Museum of Fine Arts, Boston, U.S.A. mfa.org
1700-1800 ca. Wo1700-1800 ca. Women’s Pockets With Waist Ties as worn in Jane Austen’s years. #Georgianera #Regencyera #JaneAusten #Underclothingbooks2read.com/suziloveFashWomen1700s
1845-1865 ca. Cream Silk Evening Slippers With Ankle Ties, British. #Shoes #VictorianFashion #HistoricalFashion
1845-1865 ca. Cream Silk Evening Slippers, British. Cream evening shoes with ankle ties and lace trim. Trim is unusual because mid 19th Century ladies’ shoes were often plain as only toes showed beneath fashionable long skirts. Designed By Hobbs, famous London shoemaker, and with a label attached to lining with a regal crest to show maker’s royal patronage. via Metropolitan Museum, NYC, U.S.A. metmuseum.org
1845-1865 ca. Cream Silk Evening Slippers With Ankle Ties, British. #Shoes #VictorianFashion #britishhistoryhttps://books2read.com/SuziLoveFashionWomen1815-1819
18th-19th Century Sedan Chair Travel In Jane Austen’s Times. #JaneAusten #BritishHistory #Travel #GeorgianEra
A sedan chair is a portable enclosed chair for a single passenger. It was generally carried by two “chairmen” holding poles attached to either side of the chair. Sedan chairs were fashionable in England and Europe during the 17th, 18th and early 19th centuries and were an important part of the social life of the times. They were very useful for negotiating crowded, unsafe, narrow, winding and often filthy streets and were particularly used by “invalids, ladies and party goers”. Sedan chairs had the advantage of being able to be carried up and down stairs and could deliver the passenger from inside their own home to inside their destination without having to step outside.
1784 Sedan Chair. ‘The return from a masquerade. A morning scene.’ A young lady dressed as shepherdess with staff slumps in a sedan chair. Asleep or drunk her head and shoulders hang outside window. Two porters smile and dwarf chimney sweep carries a mask.’ By Robert Dighton and Cari.
The 19th century English author, Elizabeth Gaskell, described the use and function of the sedan perfectly in her novel “Wives and Daughters” when she reminisced how the Browning sisters chose to be transported to a ball by sedan chair, which ‘came into the parlor, and got full of the warm air, and nipped you up, and carried you tight and cosy into another warm room, where you could walk out without having to show your legs by going up steps, or down steps.’
The Bath Chair was invented in Bath, England, in the mid 18th Century to transport the wealthy and the sick around the city. It could be steered by the passenger and rivaled and then outdid the Sedan Chair as only one chairman was needed to operate it. The last Bath Chairman retired in 1949.
Typical 1700s, or Eighteenth Century Sedan Chair. Portable enclosed chair for single passenger usually carried by two chairmen holding poles attached to either side of chair. Fashionable during 17th, 18th and early 19th centuries when needed to negotiate crowded, unsafe, narrow, and dirty streets. Used by invalids, ladies and party goers. The sedan chair comprises a small kiosk with a curved timber roof which is covered with leather and studded with brass nails. The front and side panels are painted in green with floral decorations of cherubs and flowers. The back panel is of plain timber. Access to the chair was via a hinged door at the front. Inside, the chair is upholstered in silk and features padded upholstered arm rests. The windows have raw silk curtains which are gathered with tassels. The present brackets and poles are reproductions made in 1986 prior to display in the Transport exhibition. The total length of the new poles are 80 inches. The sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”. Via Powerhouse Museum, Sydney, Australia.
Typical 1700s, or Eighteenth Century Sedan Chair. Portable enclosed chair for single passenger usually carried by two chairmen holding poles attached to either side of chair. Fashionable during 17th, 18th and early 19th centuries when needed to negotiate crowded, unsafe, narrow, and dirty streets. Used by invalids, ladies and party goers. The sedan chair comprises a small kiosk with a curved timber roof which is covered with leather and studded with brass nails. The front and side panels are painted in green with floral decorations of cherubs and flowers. The back panel is of plain timber. Access to the chair was via a hinged door at the front. Inside, the chair is upholstered in silk and features padded upholstered arm rests. The windows have raw silk curtains which are gathered with tassels. The present brackets and poles are reproductions made in 1986 prior to display in the Transport exhibition. The total length of the new poles are 80 inches. The sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”. Via Powerhouse Museum, Sydney, Australia.
The longest journey recorded in a sedan chair was made by Princess Amelia, youngest daughter of King George III, who in 1728 was carried by 8 chairmen working in reliefs from London to Bath, a distance of 172 kms (107 miles). This sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”.
18th-19th Century Sedan Chair Travel In Jane Austen’s Times. #JaneAusten #BritishHistory #Travel #GeorgianEra books2read.com/SuziLoveTravel
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Book Hooks: Petunia and the Pearl Diver. Petunia pointed the whip at the pearl diver a second time. #Regencyromance #historicalromance #London #mfrw
Petunia and the Pearl Diver: A hot Regency romance. Petunia needs money to save her aristocratic family. The pearl diver needs a woman to save him, body and soul. Their night together at a London brothel could solve both problems. But can their relationship survive in the real world?Because walking away becomes impossible when one night leaves them craving more…and more.
Book Hook: Petunia pointed the whip at the pearl diver a second time. “Move.” She gave him her sternest look. “Onto the bed.” The whiptail ran smoothly back and forth through her fingers, hopefully reinforcing the idea that she was an experienced mistress of punishments. “Now.”
The captain’s eyebrows shot upwards and he finally focused on her face, or as much as her sleek leather mask allowed him to see. Good. Without his full attention, Petunia had no hope of carrying out this farce. He unwound his lean length the way she imagined he’d unwind coiled rope on his pearl trawler. Slowly, carefully, and as sensually as a dancer, he straightened to his full height, putting him a good foot taller than her. Her heart thudded in her chest and her pulse raced.
If he stirred her lust merely by standing up, she’d never survive the sensual overload if they danced at a ball and he held her in his arms. She shivered. Dancing with him was one of the things that must never happen, because the close contact might trigger the memory of when her brother had introduced them. If they met at a formal social occasion, she prayed he’d never associate that well-bred lady with a girl he’d paid for in a brothel, because she’d heard that war had changed him and she didn’t know if it was for the better, or worse.
Book Hooks: Petunia and the Pearl Diver. Petunia pointed the whip at the pearl diver a second time. #Regencyromance #historicalromance #London #mfrw https://books2read.com/suzilovePetPD
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1855 ca. Napoleon III Grand Tour Souvenir Writer’s Box, Or Escritoire, French. #VictorianEra #Antiques #WritingBox
1855 ca. Napoleon III Grand Tour Influenced Travel Writer’s Box, Or Ecritoire, French. Double inkwell with rear stationery box, Gothic style brass accents and Grand Tour souvenir hand painted eglomise scene, the Palais de l’ Industrie from the 1855 Paris World Exposition! Figured veneers, ebonized edging, feet and pen tray and brass or bronze accents. via 1st Dibs. via 1st Dibs 1stdibs.com
1855 ca. Napoleon III Grand Tour Souvenir Writer’s Box, Or Escritoire, French. #Victorian #Antiques #WritingBox https://books2read.com/SuziLoveWritingTools
19th Century Set of Damascened Calligrapher’s Tools, Turkey. #Writing #RegencyEra #antiques
19th Century Set of Damascened Calligrapher’s Tools, Turkey. via Sotheby’s Auctions. sothebys.com
books2read.com/SuziLoveWritingTools
19th Century Set of Damascened Calligrapher’s Tools, Turkey. books2read.com/SuziLoveWritingTools #writing #history #19thcentury
19th Century Early. Gilt and Patinated Bronze Inkstand , or Encrier, or a little reservoir of ink. Rectangular base mounted with a round lidded ink pot with a porcelain container and a sand pot, each raised on winged lion feet, centered by a palm decorated columnar carrying handle, with two pen holes. via 1st Dibs Auctions 1stdibs.com
The type of inkstand that households woulds have in Bridgerton and Jane Austen households for writing letters and keeping track of estate matters.
19th Century Early. Gilt and Patinated Bronze Inkstand as found in Bridgerton and Jane Austen households. #Bridgerton #JaneAusten #RegencyEra #amwritingbooks2read.com/SuziLoveWritingTools
1805-1810 ca. Jane Austen Style Cotton Evening Dress With Gold Metallic Embroidery. #RegencyFashion #JaneAusten #sewing
1805-1810 ca. Evening Dress, French. Empire style, or high-waisted, cotton dress, short sleeves
and long train. Gold metallic thread embroidery. via Metropolitan Museum, N.Y.C., U.S.A.
1805-1810 ca. Jane Austen Style Cotton Evening Dress With Gold Metallic Embroidery. #RegencyFashion #JaneAusten #sewing https://books2read.com/SuziLoveFashionWomen1805-1809
1819 White Dress styled after the Court of France in Bridgerton years. #Bridgerton #Regencyfashion #JaneAusten #HistoricalFashion
1819 White Dress With Short Sleeves, English. Styled after the Court of France. Yellow skirt with long train decorated with flowers. Flowered headdress, long white gloves, necklace.Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
1819 White Dress styled after the Court of France in Bridgerton years. #Bridgerton #Regencyfashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1815-1819
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