19th Century Inkwell and Tomb of the Scipios Grand Tour Souvenir, Italian. The type of Grand Tour souvenir collected by travelers in Jane Austen and Bridgerton Times. books2read.com/SuziLoveWritingTools
Siena marble with ink wells and pen holder. Lid removes to reveal pair of ink wells and pen holder. Scipios were a family of Roman war heroes and generals. Tomb of Scipios erected around 150 B.C.E and copied many times. 18th-19th Centuries, tomb models were favorites of Grand Tour souvenir hunters. The sort of exotic item a gentleman in Jane Austen’s times might send back to England during his Grand Tour of Europe and Asia. via 1st Dibs Auctions 1stdibs.com
1800-1830 ca. Reticule, or Bag, Shaped Like A Basket, from Bridgerton and Jane Austen Times. #Bridgerton #JaneAusten #RegencyFashion #reticule
1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.org
Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
1805-1815 ca. Olive brown stiffened bonnet with peaked brim in Bridgerton and Jane Austen style. #Bridgerton #JaneAusten #RegencyFashion
1805-1815 ca. Bonnet. Olive brown stiffened, peaked brim, and lined with ivory satin to protect pale skin from sun in Bridgerton and Jane Austen style.
Regency bonnets were made in a wide variety of shapes and sizes, and with elaborate decorations. This was a practical way of offsetting the minimalism popular in Regency Era fashions. During the early 1800s, most young ladies, and some older ones, wore white dresses in the relaxed styles of ancient Greece. This neoclassical movement saw women wearing Empire style, or high-waisted, gowns that were either straight sheaths or flowed from under the bust. The stiffened brim shielded the lady’s face from harmful sun rays, because it was considered essential for an upper class lady to have a pale white skin. The crown of this bonnet is lined with stiffened ivory linen and the brim is lined with ivory satin. For more about this gorgeous bonnet, see Vintage Textile :- vintagetextile.com
What’s the difference between a ridicule, a reticule, and a handbag? 1831-1850 ca. Round Bag of Crimson Silk. #RomanticEra #BritishHistory #Handbag
1831-1850 ca. Reticule, Or Handbag, English. Round bag of crimson silk with embroidery and a drawstring via Museum Of London.
Definition Ridicule, Reticule, or Handbag: From the late 1700s, pockets could no longer be sewn into gowns, as skirts fell from just under the bust and were full and flowing. Instead, women began carrying small bags, known at first as ridicules and later as reticules, to keep necessary items on their person e.g. handkerchiefs, coins, vinaigrettes, calling cards, glasses etc.
The term ‘ridicule’ derived from the Latin ‘ridiculum’ and first used in France during the 17th century and meant subjecting something or someone to mockery. As women’s tiny bags were mocked, or ridiculed, for being a useless fashion accessory when they were first used in the late 1700s, it’s likely this is how the name ‘ridicule’ started. The later term ‘reticule’ derived from the Latin reticulum, meaning ‘netted bag’ and was applied when bags became larger and often made from netting.
In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded Maché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.
1800s magazines were written for well-bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady, so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.
What was fashionable for purses in past centuries? Call them what you like: purses, bags, handbags, reticules, ridicules, clutches, or pocket replacements. They all did the same job and they changed greatly with the prevailing fashions of time. books2read.com/suziloveReticules History Notes Book 3 By Suzi Love.
Four Times A Virgin By Suzi Love. Book 2 Irresistible Aristocrats Series.
The Countess stared with unblinking, moisture-filled eyes, and that blasted pain shot straight through his gut and caused a raw burn. She stopped his absent-minded rubs at his midriff with her hand. “Are you suffering some sort of aliment in your abdomen, Your Grace?”
The duke bristled. “Of course not. I enjoy perfect health.”
She lifted a brow. “Your veins may run with the bluest blood, but your human form suffers from the same frailties as the rest of us lower mortals. I’ve noticed that you rub your stomach quite often. Perhaps you should consult a physician.”
“Ridiculous charlatans. I’ll not listen to another swindler promising to cure a simple digestive disorder by bleeding me dry with leeches.”
She gasped and put her hand to her mouth. “Oh, Max. You’ve already visited physicians.”
“It’s nothing.”
Four Times A Virgin: “Are you suffering some sort of aliment in your abdomen, Your Grace?” #RegencyRomance #HistoricalMystery #ReadARegency #HistoricalEroticRomance books2read.com/suziloveFTAV
The Viscount’s Pleasure House. Irresistible Aristocrats Book 1. Three naive country ladies coerce their way into London’s most infamous brothel and the last Sultan’s gala. Disenchanted Viscount tutoring three Regency Ladies. What could go wrong?
The Viscount’s Pleasure House allows Justin, the most notorious Viscount in London, to fund his search for his missing mother and sisters. But after three years catering to the sordid whims of the perpetually bored Upper Ten Thousand in early Victorian times, the Virile Viscount announces his retirement.
Justin plans to sell his exotically themed brothel and cease all Arabian Nights held on his estate, a desperate attempt to cleanse his blackened soul and perhaps revive his deadened sexual interest. So when Lady Chrissie Wellsby begs Justin to tutor her two friends in the amorous arts in exchange for information about his family, Justin is torn. For though he’ll do anything to discover the whereabouts of his family, including teaching three naive ladies how to act like well-schooled courtesans, he loathes being forced into this last performance as a sex God served by his harem.
Having Chrissie willingly act as his sex slave stirs the world-weary viscount into the wildest performance ever given at the Sultan’s tent, but does little to convince Chrissie that he has fallen head over heels in love with her and put his rakish ways behind him. Justin enjoys a wonderful reunion with his family but feels cheated of his chance at love until Chrissie’s friends encourage her to trust the newly reformed viscount.
Chrissie organizes one final gala at the Pleasure House, an erotic night of lovemaking for two to prove her love for Justin and show him she longs to be his wife.
1800s Early Amputation Instruments Used By Alexander Jack, Ship’s Surgeon in Jane Austen’s times. #RegencyEa #medical #Navy #JaneAusten
1800s Early Amputation Instruments used by Alexander Jack in Jane Austen’s times. Jack was a ship’s surgeon aboard H.M.S. Shannon and used by him in the battle between the Shannon & the American frigate the USS Chesapeake on June 1st, 1813, during the War of 1812. via Old Operating Theatre, London.
Jane Austen’s brother, Francis William Austen, was appointed Admiral of the Fleet in the British Royal Navy on 27 April, 1863. He had been a Royal Navy Captain from 1799 to 1830, age 25 to 56, Rear Admiral in 1838, age 64, Full Admiral in 1848, age 74. This is the type of medical instruments found on all of his ships.
In Jane Austen’s time, amputations were carried out frequently to prevent infections that could kill.
1817 November White Walking Dress and Brown Spencer As Worn In Bridgerton and Jane Austen Times. #Bridgerton #RegencyFashion #JaneAusten
1817 November Cambric Muslin Walking Dress, English. As would have been worn by Jane Austen and her female contemporaries when out walking. Row of pointed work forms a narrow pelerine, high on the bosom, and ends in a point in front. The skirt has a deep muslin flounce beneath a row of soft muslin bouffone. Brown Spencer of gros de Naples has figured buttons which are intermixed with an elegant trimming. Sleeves ends are like the hem with a double row of buttons and trimming. The newly fashionable epaulette is edged and finished with buttons on the shoulder. Autumnal bonnet has a large front, low crown, and ties under the chin with a large bow. Swansdown muff, lilac sandals and pale lemon kid gloves finish the ensemble. ‘We have been favored this month with both our dresses by a lady, one of our subscribers, who purchased them, we understand, at Mrs. Bell’s in St. James’s Street.’ Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition Empire Style Dress: Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.
Definition Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. These close-fitting, tight sleeved, waist length jackets were modeled on a gentleman’s riding coat, but without tails. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
1817 November White Walking Dress and Brown Spencer, English. #Regency #JaneAusten #Fashion
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Jane Austen fan? Women’s dress styles around 1800. History Notes Book 12. #RegencyFashion #JaneAusten #nonfiction
Fashion Women 1800 By Suzi Love History Notes Book 12 #Regency #Fashion Love gorgeous historical women’s fashions? Take a look at what women wore and carried in 1800 in Europe and around the world. books2read.com/SuziLoveFashionWomen1800
- Women’s dress changed dramatically after 1785. The rich fabrics and complicated, formal shapes of the late 18th century gave way to simple, light fabrics that draped easily. These new gowns achieved something of the effect of the simple tunics shown on classical Greek and Roman statues and vases. Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.
- Empire Dress: Owes its name, physical emancipation, popularity, and even its sexiness to France. In this English example, French style is slavishly followed in the gown’s high waist and modish stripes.
- Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
- Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.
1815 June Lady Reading Book Wearing Jane Austen or Bridgerton Style White Carriage Dress. #Bridgerton #RegencyFashion #JaneAusten #HistoricalFashion
1815 June White Carriage Dress, English. Lady reading a book in a high-waisted white satin Pelisse, or Walking Or Carriage dress in the relaxed Empire style as would have been worn at home in the early 1800s, or during Jane Austen’s time. Richly ornamented with clusters of leaves made in white twilled sarsnet, headed with tull. Open fronts, trimmed to the bottom of the waist with a superb shell trimming of white satin ribbon and tull, loose sleeves trimmed at the wrists. High hat of white satin and tull with a plume of feathers of the pomona green. Half-boots of similar color. Gloves en suite and a necklace. Lady is viewing paintings and the program in her hand says ‘British Institution’. In this issue of The Repository there is an article called ‘Exhibition of Paintings by the Flemish and Dutch Masters at the British Institution, Pall Mall.’ Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
